Music Essays History of Rhythm and Blues

medicament Essays History of stave and mordantsHistory of pulse and BluesRhythm and discolour was considered strictly pitch-dark melody. Although I am not deduct of the American socialization, I consider my cultural heritage to be jolly re new-maded to this culture. The erosive culture is a phenomenal subject representing the feeling panache, imagination and accomplishments of tribe. One of the approximately outstanding and unique characteristic that makes this culture sensation of a kind is the medical specialty it has produced. Music has a rough-cut characteristic that is unique to all cultures throughout the world. However, the medicaments fashion, or sprint, all culture in bill includes medicinal drug as an big part of popular life. The four however about vote d acceptular categories of Black music are Blues, Jazz, Gospel, and Rhythm and Blues. Blues is an African American music that transverses a astray range of emotions and tuneful styles which is expressed in melodys that verse iniquity or express longing for a better life and baffled loves, jobs, and money. Jazz is music that consists of musical instruments such(prenominal)(prenominal) as saxs, flutes, and clarinets. Gospel music refers to African American Protestant verbal music that celebrates Christine Doctrine in emotive. Rhythm and Blues is a combination of the swinging bicycle of experience and separate race music with the lyrical content, sonic gestures, and with the format of the discolor. immediately I want to focus on Rhythm and Blues and the do compute it has make on the black culture, and discuss the lead major forms that made Rhythm and Blues distinguishable, and how it has change from jazzy/blues to pelvic girdle cut/rap.Rhythm and Blues music or RB has a signifier of different types of music. It is produced and supported primarily by blacks around the world. Beginning in the early 1940s, circle and blues music embraced genres as jump blues, nine blues, black rock, and roll, doo wop, somebody, Motown, shrivel, disco, and rap. It was rootage coined in 1949 by Jerry Wexler, who became prominent with Atlantic Records. Wexler engross the border rhythm and blues as a synonym for black rock and roll in the early and mid 1950s. RB provided the ace greatest fascinate on popular music worldwide for very much of the second half of the 20th century. The influence was traced in forms of rock music, artless and western, gospel music, and jazz as well as in a variety of non western form of music known as worldbeat. tally to Joseph Machlis and Kristine Forney in their book The Enjoyment of Music, Rhythm and blues is known for its preponderantly vocal genre, featuring a solo singer come with by a depleted group including piano, guitar, acoustic sea bass, drums, and tenor saxophone. Its harmonies and structure are gaunt from twelve bar blues and thirty 2 bar pop song form. As the pick up implies, the style is characteriz ed by a strong, driving force beat, usually in a quadruple meter. As the influence of sundry(a) styles of Rhythm and Blues, black urban values have permeated a wide variety of other cultures, most notable of contemporary Euro American youth. (599) match Christopher Handysides book Soul and RB. Handyside states that Rhythm and Blues (RB) was a name granted to a fast paced style of music that was influenced by blues, gospel, and jazz. Handyside states that RB also owed its style to jump blues. Jump blues was popular in the 1930s and 1940s, and was usually played by a large dress circle that featured drums, saxophone, and trumpet, stand up bass, guitar, and other horns as well as a singer. By the late 1940s, jump blues had developed into RB which took the form of brieflyer, catchier songs. Whereas jump blues much extended the songs with improvisation, RB tended to use smaller bands that featured drums, piano, guitar, and bass to generate the same energy and fervidness as a large r band. One of the most significant characteristics share by both jump blues and RB was the importance of a strong vocal singer. Handyside also states in the late 1940s than writer for the music magazine Billboard, Jerry Wexler, coined up the name rhythm and blues when he was editing the charts at the trade journal Billboard and found that the bring down companies issuing black popular music considered the chart names to be demeaning. The magazine changed the charts name in its June 17, 1949, issue, having used the term rhythm and blues in moderns articles for the previous two years. Although the records that appeared on Billboards rhythm and blues chart there aft(prenominal) were in a variety of different styles, the term was used to encompass a number of contemporary forms that emerged at that time. (4-5)Handyside states the origins of rhythm and blues originated from the sociological, industrial, and technological changes that took place in the Unites States just prior to and during reality War II. Among theses changes was a wide strewing shift in American demo pictorials. general music and unsanded styles were compeld to meet the changing tastes of the demographic group, which lead to the using of urbane sounds of RB. These sociological changes of the World War II period were accompanied by two significant technological developments, the invention of the electric guitar in the late 1930s and the newly relatively affordable disc everywherey of the German invented tape recorder. With these two inventions it simplified the preserve process. Enterprising individuals were able to pass independent record companies, since the major record companies in the United States had forgetful interest in RB music. Newly formed independent companies began such as Atlantic, Chess, Specialty, and Modern were crucial for the production and distri notwithstandingion of RB recordings. agree to online data form Encarta, another outstanding industrial change was the d raw close of boob tube in the United States in the late 1940s. For fear that television would make radio stations obsolete, umteen owners sold their radio stations. The new radio station owners off-key to urbanized black Americans. These emergent black orientated radio stations allowed the new independent record companies to air the sounds of Rhythm and Blues to a black urban audience. Although the sounds of black urban music were being performed throughout the United States, the recordings of RB began on two coasts. Big band jazz musician Louis Jordon formed a small ensemble in 1938, which he level(p)tually named the Tympany Five. Jordon recorded primarily in the up tempo beat using the horn crusaden style of the jump blues. The jump blues style he originated rapidly spread among black musicians, with distinctive regional variants emerging in New Orleans, Louisiana, and Memphis, Tennessee. Jordon influenced every RB artist in the 1940s, 1950s, and early mid-sixties. There we re two other styles of RB that were popular in the late 1940s and early 1950s. It was the submissive strain on jump blues and featuring a coarse, honking tenor saxophone sound. (Encarta)In the early1950s the strains of Rhythm and Blues began to be directed towards teenagers instead of adults. The vocal group style of the 1940s had given way to the 1950s doo wop. As Handyside states Rhythm and Blues vocal groups or doo wop groups, were becoming much and more popular. It was called Doo wop because of the nonsense syllables the vocalists would often use. It featured close harmoniousness singing at slower tempos. Artists such as the Five Keys, the Coasters and the Drifters, sing songs with lyric themes that junctured concerns of American teenagers. (13)Motown soul music in the sixties saw three important styles of R&B the Chicago soul, which was influenced by gospel music songs, the Motown sound, which combined songwriting with a refinedforward vocal, and southern soul, which was the most gospel influence style of RB. Chicago soul was epitomized by the work of singer and songwriter Curtis Mayfield with the group the Impressions. Mayfield wrote songs of faith and inspiration which featured several(prenominal) different lead singers trading vocal lines in the call and rejoinder fashion.In 1959 the Motown record company was founded by former boxer turned musician Berry Gordy Jr. Gordy was so successful at ontogeny a recognizable sound for Motown that the company name quickly began to be a designation for a genre of music. The music he produced had its root in gospel, jazz, and rhythm and blues, but with the Mo-town Sound. Its success was also due in part to the songwriting efforts of Lamont Dozier and brothers Eddie and Brian Holland. Motown represented the sound of American youth through most of the 1960s and for an independent record company, achieved unprecedented success. The Motown artist of the 1960s include Diana Ross with vocal group the Supremes, the one and only, singer and songwriter Smokey Robinson with the group the Miracles, and the Temptations. The legal age of Motown artist were vocal groups that updated the doo wop style of the 1950s with a heavy, steady beat. Confederate soul was originated by throng Brown and Ray Charles. On many of the early soul records, Charles would take a traditional spiritual song and transform it into a secular paean to love. Handyside states Rhythm and Blues first true superstar and all around musical innovator was Ray Charles. It is not often that one can destine to a single song and claim that it invented a new genre, but this was the case with Charles. In 1954 Charles hit song I Got a adult female was the popular notion of soul music. He took the gospel song I Got Religion and changed the lyrics from a song about God to a song about a woman. The musics bouncing feel was straight out of church and had a strong sense of syncopation. By adding a gospel flavor to the music, Charles had rec onnected RB with the spiritual roots and rhythms of African Americans. (11)Handyside states James Brown was a contemporary of Ray Charles. Browns innovations in soul music, style, and drop dead performance had earned him the nickname The Godfather of Soul. Brown had a raspy, soulful voice that he combined with his fancy dance moves. By the mid 1960s he was taking soul in a whole new direction. He laid the ground work for what would be called funk music. Southern soul had remained a significant presence in popular music throughout the seventies. (19)In the late 1960s at the height of soul musics popularity, there were significant changes and cultural views began to be supply by many black Americans. By the end of the seventies, the soul/RB sound had been eclipsed by the music it had influenced, disco and funk. With the help of James Brown, funk music began to emerge in the late 1960s and early 1970s. rebound was a looser form of soul music. It was based around the groove of the ba ss guitar, funk songs would stretch out well past the usual three to four minutes of a soul song. According to Handyside, funks appeal was limited, and in the late 1960s, rock artist improvised and broke the rules they were also stretching their songs out into extended jams. Funk de-emphasized melody and harmony, speech rhythm, it often had loud horn sections, scratchy guitar rhythms that extended into wild guitar solos, and was short on lyrical content. Funk musicians tended to favor one line sayings. This style was adopted by a number of artists. Musicians synthesized the funk style with elements from egg white rock music. (33)Disco rivaled funks popularity in the early 1970s and surpassed it by the middle of the decade. Hanydside states, like funk, disco was a dance oriented style. It was born out of funk, mixed with the slick Philly Soul. It was named not for any fact characteristic of its music, but after the places where it was originally played, the discotheques. (38) By t he mid 1970s funks grooves had been smoothed over to help create disco. In contrast to funk, disco was dominated by arrangements featuring strings and synthesizers to boost the important beats. Disco was viewed by many as a substantial embrace to rock music. It gave rise to a handful of highly original ensembles, as Earth, Wind Fire and the Fatback Band. Although the craze for disco eventually waned, it was an important bug of rhythms and sounds in hip hop, techno and house music. (39)According to online data from Encarta, in the late eighties and 1990s disco gave way to other genres like hip hop and rap music. By the early 1990s, hip hop had give-up the ghost a major force in music. Hip hop began when DJs such as Kool Herc, Grandmaster Flash, and Africa Bambaataa would mix beats or breaks of funk and disco records so that people could dance to the beat continuously. In 1991 Mary J. Blige teamed up with maker Sean Puff Daddy Combs and added the hip hop attitude to RB. Blige was one of the first artists to blend urban, contemporary RB singing with hip hop beats, rhymes, and attitude.Machlis and Forney states that after a while people began to rhyme or rap over these beats. The first rap recording was Rappers Delight, by the Sugarhill confederacy in 1979. The technological developments of the early 1980s, including the use of synthesizers and other electronic devices, surface the way for rap, a highly rhythmic style of musical line of gab that had been popular with New York audiences in the 1970s and later developed wider appeal. eat DMC was largely responsible for the commercialization of rap, their collaboration with Aerosmith on the cover recording of the 1977 hit song Walk This Way introduced the style to white audiences. A year later, conscious rap found its prominent voice in the group Public Enemy. Public Enemy produced several highly prestigious rap phonograph albums. Rap in its diversified forms has continued as one of the most popular types o f African American music. (606-607)In the late 1980s raps controversial subgenres, gangsta rap raised with the debut album Straight Outta Compton. (Encarta) Machlis and Forney states gangsta rap of the 1990s has further disseminated the style through graphic descriptions of inner city realities. The violent shooting deaths of Tupac Shakur in 1996 and Notorious B.I.G in 1997, has highlighted the violence associated with this musical style. (607)Rhythm and blues did more than just influence other music. It allowed African Americans to sing about their own experiences in their own style and in their own words. Today it is still here in dance parties on Saturday nights and in churches on sunlight morning. Rhythm and Blues and soul continue to thrive now even more so than rock n roll, which dominated the mainstream for so many years. From the classic soul singing of artists such as DAngelo and Maxwell, to surface-to-air missile Cooke and Otis Redding, to the eclectic experiment of Andre of the hip hop group Outkast. These musicians race on the tradition of earlier innovators such as Ray Charles, Prince, and Michael Jackson. R B has by far taken over in the twenty-first century. Although Rhythm and Blue was considered strictly black music, it is loved today by people of all races.One thing we all know is that music of all kinds is the manifestation of emotion. From folk songs, to religious chants the range and diversity of music is almost incomprehensible. It has been said that the best way to learn about the people, and its culture, is to preserve and listen to their music. Music is all powerful because it stimulates, manipulates and dissipates our moods through the emotions. Music, in our culture, functions in many ways it can make work more enjoyable, create a fraternity among men, encourage a spirit of idolisation, and be an expression of emotion. Music can make hard work seem easier, or rather, make it tolerable. If you dont believe me next time you drive past a house that is undergoing construction or anywhere people are doing hard manual labour, stop and listen for music. Quite often there is a radio blasting.Rhythm and blues music in the 21st century has been used to encourage a spirit of worship and to communicate with God. Many churches today begin their services with some form of worship music, whether its all through song or just playing of the Organ. In some form its designed to paraphernalia peoples minds to hear a word from God. My Church in particular has one hour of worship before the service begins.Although rhythm and blues is not a favorite listen to music by many, we can all agree that its style is the most powerful on earth depending on your age. It can make you fall in love, key out down an enemy, or weep for lost friends. Its style is also a source of reconciliation, exhilaration, and hope that never fails I thank God for conjure up many musicians with the gift of music, If it hadnt been for one particular song I might be married to my husband today. Without music in everyday life, the world would be an extremely hostile and maybe even an dreadful place to be. Music has become the most powerful freedom given by God.Works CitedHandyside, Chris. A History of Soul and RB. A history of American music. Oxford Heinemann Library, 2006.Machlis, Joseph, Kristine Forney, The Enjoyment of Music An Introduction to Perceptive Listening. New York W.W. Norton, 2000.Rhythm and blues. Encyclopedia Britannica. 2008. Encyclopedia Britannica Online. 17 May 2008. http//www.britannica.com/eb/article-9063492.Rhythm-and-Blues Music, Microsoft Encarta Online Encyclopedia 2008 http//encarta.msn.com 1997-2008 Microsoft Corporation.