The Story of G.I. Joe Film (1945) Thesis Paper Movie Review

The Story of G.I. Joe Film (1945) Thesis Paper - Movie check over ExamplePyle (played convincingly by Burgess Meredith) is the embedded journalist within this Company. But the shared habiting topographic point makes it a personal experience for Pyle and to this extent his journalism takes on a humanitarian hue as opposed to being merely patriotic. This essay will argue that, of the numerous merits attached to the snap, its showcasing of the bold, humane and forthright journalism of the legendary Ernie Pyle is not only its standout feature but also accounts for its enduring appeal. professedly to the journalistic ethic of accuracy and balance, the film makes no attempt to manufacture gunmanism in the present of war setting. Instead, it fits the narrative to Pyles reportage, which includes unsavory and un-heroic aspects of the Second World War. True to this theme, Pyle was later killed in a foxhole on a remote Pacific island as he pursued his career of covering the multitude subsequently victory was won in Europe. Pyle wrote of the common dogfaces, not the brass hats. He is a hero who should be known to every journalism student. (Booker, 1999, p.14) But a cursory look at the state of embedded journalism today (most visibly in the War on Terror operations) betrays the falling standards of journalism in America. Today the reporter comes across as a biased stakeholder in the side he belongs, which is a far cry from the courage and ethic espoused by Ernie Pyle. More importantly, what The Story of G.I. Joe underscores is that motion pictures weed provide helpful assistance in journalism history classes through a number of ship canal as a reflection of how journalists and journalism are portrayed in the mass culture as a means to measure the role that journalism plays in significant events and, perhaps most important, as a device by which to assess the ethical role of journalism as reflected by the decisions and actions of the great deal portrayed. (Holsin ger & Schofield, 1992, p.44) The Story of G.I. Joe can also be said to be unique for the level of realism it carries. The harvest is not just made for commercial purposes, but for artistic and documentary goals. It also served as a vehicle of propaganda to gather support for the war from the American public. The relatively late release of the film (released after the dust settled in the European theatre) is perhaps why it portrays combat in unglamorous terms, stress not the heroism of its soldiers but their weariness and daily hardships. Based on Pyles reports (collected in his 1943 book, here(predicate) Is Your War) the film details the grueling effect of extended combat service on a platoon of American soldiers the Italian campaign. Led by Lieutenant Walker ( Robert Mitchum) and accompanied by Pyle, the platoon slowly advances, experiencing both hazard and boredom but very little in the way of glory. (Booker, 1999, p.14) Contemporary war movies as thoroughly as war journalism can do well by embracing such an attitude. It is in recognition of the valuable sensibilities displayed through the film that it won four Academy Award nominations, including to Mitchum for best financial backing actor and to the three screenwriters (two ofwhom, Endore and Stevenson, were prominent figures on the American cultural Left) for best screenplay. While some critics took the films grim depiction of war as an antiwar statement, James Agee insightfully notes that G.I. Joe is a tragic and eternal mildew of art precisely because of its unflinching portrayal of the realities of