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Thursday, April 11, 2013

The Feminine Voice: Gwen Harwood

The identity and verbalise of the central figure within a song influences the contributor?s view of the world. The symbolic roleization of societal roles from the point of view of a central character?s experience articulates social and cultural traditions, allowing the poet to endorse or critique the naturalise values of his or her culture. In her twain sonnets, ?In the Park,? and ?Suburban Sonnet: case Day,? the Australian poet Gwen Harwood uses the generic wine conventions of poetry to construct a central persona who, done their voice, conveys the social expectations of women in 1950s suburban Australia. Both sonnets center on on a mother dealing with the everyday challenges of gestation and through the use of the poetic techniques of the sonnet form, imagery, irony, tone and symbolism, socially define the mother figure in Australian Culture. The maturation of the woman?s identity empowers the fair(prenominal) voice of the poem to portray cultural values in a counselling that positions the reader to develop an understanding of the poet?s world and transmit Australia?s patriarchal society?s marginalization of motherhood.

The feminine poetic voice of ?In the Park,? and ?Suburban Sonnet: wadding Day,? describing the burdens of motherly spiritedness ironically contradicts the conventions of the Elizabethan sonnet.

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Instead of a masculine voice professing undying love to a woman, Harwood?s ironic gender reversal in both(prenominal) poems, casting the voice as a woman disrupts the naturalized idea of the elegant sonnet woman. In ?In the Park,? this argument is emphasized by the mother?s ?out of find? clothes and spiritual pain thereby encouraging the reader?s understanding of the mother?s hardship. It immediately develops the voice of the poem to critique the expectations of motherhood. In ?Suburban Sonnet: Boxing Day,? the organized order demanded by the sonnet juxtaposed with the essence chaos described in the mother?s life challenges the dreamy...

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