The scene I have chosen to carry prohibited a stylistic analysis on is Thirteen Americans by Alfred Leslie.
The photo is larger than any that I have previously studied. Its swaggering size is serious beca social occasion it certainly contributes to the effect of the painting. The effect is overwhelm and intimidating as the painting shows a group of life-sized people staring directly at the viewer. The scale of the painting and its individual components is definitely very effective.
The painting hears like it is oil on canvas. The technique used is railroad linear and not esthetical as is reminiscent from the fact that all the individual figures argon care all-encompassingy delineated and detail plays an important part in the painting. The brushstrokes serve to describe and not to suggest. The artist has not particolored using several layers of paint as in the Impasto technique. It seems as though the artist is trying to wangle the painting look as realistic as possible.
In this painting, primary and secondary colour in are both used although there is a say-so of secondary colors as is seen from the generous use of olympian and orange. The colors are not saturated; they are tedious by addition of other colors. The artist does not make use of pure colors. Gradations from light to dark play an important role in this painting.
The use of gradations causes the mans jeans to look stonewashed and used. The womans green drape has dark and light gradations of green and one figure makes use of gradation to define the contours of the legs.
Line plays a very significant and assured role in this painting. The artist uses line to delineate and severalize one figure from the other. It is because of the careful and precise use of line that the artist is able to...
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