On Monsieurs Departure, with its highly interpretive nature and part of strong themes and appropriate literary devices, expresses the inner turmoil of its author, pantywaist Elizabeth, to the reader.
The basic concept of this 17th century poem is whizz of the divided passions of Queen Elizabeth. Elizabeth cognized her country with fierce obedience and control, but also had her experience personal needs, and though it is non entirely certain as to whom this poem was referencing to, it is speculated to be roughly either the 2nd Earl of Essex or the Duc dAnjou (French duke of Anjou). Essex (Robert Derereaux) was 30 years Elizabeths immature and was a charming, opinionated man with whom Elizabeth was completely enamored, but the affinity terminated when Essex and Elizabeth had a terrible fight and Essex directed an winless revolt against her. The tragedy pierced further when Elizabeth painfully agree to have him executed. The duke of Anjou, who later became King Henry III, was a extremum member of the French royal family, being both the duke of Anjou and Alençon. He was an unattractive man, both body and face, but Elizabeth fancied him teeming to allow a lengthy suit of clothes by him. This courtship ended when the duke withdrew from the marriage negotiations in 1582, but there is suspense as to why.
Elizabeth, if gaining nothing more from this arrangement, did secure a defence mechanism alliance and French aid against Spain. The country, in Elizabeths mind, remained above her own personal longings - she never married and reigned as the proud everlasting(a) Queen.
The first stanza of On Monsieurs Departure contain uses of Petrarchan conceit, paradox, and the theme of dissociation between the queen and her desires. The Petrarchan conceit (common in Elizabethan love poems) is seen for example in line 2, I love and yet...
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