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Sunday, April 7, 2013

Michelangelo Defend my dead painting now, Giovanni, and my honor not being in a good place nor I a painter.

All his life Michelangelo professed to think of himself as a sculptor preferably than a painter. In fact he was not a painter in the sense of such great creative person as the Dutch and Flemish painters of the s level offteenth century. Michelangelo used to speculate that sculpture was the lantern of panting, and the difference was like the sun and moon. Michelangelo believed sculpture undeniable more judgment and precision, it was harder work. Even in his old period he disliked the manual arts and a hostility for painting. He signed all of his work Michelangelo the sculptor.

Yet, of all Michelangelos more ambitious projects only those in painting were completed by his own hand, while his many sculptural designs ether pull through in bad condition or were never even started. And, despite his disregard for the fundamental of painting, he was one of the superlative painters who ever lived. In content and form, in piercing garishness of feeling and beauty of mass and line.

Michelangelo was a character of conflict. He broke away from his family to seclude himself and focus on his art. He lived for years in extreme privation in rank to devote almost the entire income from stone-carving to the re-establishment of the family fortune and honor. He love his father and brothers and poured out earnings for there well being, merely berated them unjustly.

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He was a republican and challenged public officials. But when the chips were follow through he fled or hid, and in political danger recommended the exigentest top of political opinion. He professed undying love for Tommaso Cavalieri, up to now socialize other emotional interests. He was always a strict Christian, devoted to God and the Church and scornful of false priests.

There is, undeniably a certain grandiosity about Michelangelo, illustrative yet tragic. Michelangelo signed many contracts- the...

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