Character Analysis of Oedipa in "the Crying of Lot 49"

Character Analysis of Oedipa

Oedipa as a character displays a heap of traits. She has a deeply set disconnection with society offset by an overwhelming curiosity, a curiosity that leads her through an compartmentalisation of various social strata and locations. The development of the novel is driven by these two primary traits that she displays. Although there are many critics who school principal the relevance of Oedipas name in the belief that it is Pynchons way of reminding the endorser that they are reading fiction, it is in fact a constituent(a); part of the novella that reveals part of authors character design. Her naming conjures up images of a Greek hero or a Freudian interpretation, neither of which is correct, there is no great internal struggle, nor a great quest, just the execution of a will. The character of Oedipa is that of a woman in search of something just out of grasp, twain internally and externally.

Oepida is a rather generic looking person. A middle aged northern California, complacent in the rhythms of suburban life. She could been used as a model for Botticelli (14 Crowork). She is heavy set, with rangy breast and an aged merely pretty face, not gorgeous but pretty. She probably sunbathed topless in private areas.



Her external dress is very suburban with a California name too it, a bit more edgy but still very conservative. Her eyes are a come color maybe hazel or perhaps a faint blue or grey. Her hair is beginning to transplant color and grey with age. She is Caucasian with well tanned skin.

Pynchons label is really only significant in that it illustrates how unimportant his names really are. This is glaringly apparent in The calling of covey 49. Note that the name Maas can also be pronounced My ass...

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